Contents

Diretta Iniezione

DI Box

A handcrafted direct injection box β€” a compact, AC-powered audio preamplifier designed for dynamic microphones, capable of cleanly converting mic-level signals to standard line-level output (-10dBV).

Features:

  • Class A FET input stage with high linearity and extended bandwidth
  • XLR input with adjustable gain
  • Balanced or unbalanced line-level output
  • Low noise, low distortion performance
  • Wide frequency response

πŸŽ™οΈ Motivation & Design Approach

While trying to record audio using a Shure SM58 dynamic microphone directly into a Mac’s line-in jack, I encountered the usual issues: low gain, poor signal-to-noise ratio, and uninspiring tone. So, I decided to build my own solution β€” a clean, simple preamplifier with tone characteristics I personally enjoy.

The input stage is modeled after the classic 12AX7 triode front-end found in vintage Fender amplifiers β€” but implemented here with a JFET, taking advantage of its tube-like character, low-noise performance, and analog simplicity. No USB or digital interference: the unit is powered by a noiseless internal AC supply, intentionally avoiding computer-induced hum.


πŸ”Œ Input Stage: FET vs. Triode

In terms of behavior, the FET booster circuit is functionally very close to a triode: both operate in Class A, both shape their transconductance via negative feedback, and both offer a pleasing analog response curve.

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FET booster.

To emulate this sound, I based my design loosely on the well-known Fetzer Valve preamp, originally conceived for guitar pedals but easily adapted to microphone-level signals.

I tested a few JFETs from my stash β€” 2SK30 and 2N5457 β€” and settled on the 2N5457 for its smooth response and availability. The circuit runs at 18V, giving a large headroom and excellent dynamic range.


πŸ“ˆ Testing & Waveform Results

Using a -20 dBu sine wave (1 kHz), AC-coupled into the DI box, the output wave looks very stable and distortion-free at full volume.

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Direct injection of a -20 dBu 1kHz wave, output volume at max.

Switching to a live capture using the Shure SM58 in front of the Mac’s internal speaker (playing the same tone), we observe minor distortion β€” expected, given the poor acoustic source and uncontrolled conditions.

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Captured via Shure SM58 from Mac speaker output, 1kHz tone.

A small DC offset was observed during biasing, later traced to a faulty trimmer in the bias voltage divider.

Nonetheless, the resulting voice recordings are crisp, warm, and have an analog texture that I find very pleasant.


🎧 Audio Sample

Want to hear how it sounds? Here’s a short voice recording using this DI box:
πŸŽ™οΈ Listen on Vimeo


πŸ”¬ Future Experiment: Cascode Configuration

For the next iteration, I’m considering a cascode configuration using dual FETs or FET + BJT to further increase gain and linearity.

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Considering future development…

πŸ› οΈ Final Assembly

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The assembled DI Box.

The entire build fits in a compact metal enclosure, with XLR input and standard jack outputs. Simple, effective, analog.

If you’re looking for a reliable mic-to-line converter with vintage character β€” this little Diretta Iniezione box just might do the trick.