<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Live Performance - Tag - Milletgrain</title><link>https://lucaji.github.io/tags/live-performance/</link><description>Live Performance - Tag - Milletgrain</description><generator>Hugo -- gohugo.io</generator><language>en</language><copyright>© 2013–2026 Luca Cipressi. Content licensed under CC BY-NC 4.0 unless otherwise stated.</copyright><lastBuildDate>Thu, 26 Mar 2026 00:00:00 +0000</lastBuildDate><atom:link href="https://lucaji.github.io/tags/live-performance/" rel="self" type="application/rss+xml"/><item><title>Inferno by Keith Emerson — Dario Argento, Pianoteq 9 Showcase</title><link>https://lucaji.github.io/music-inferno-keith-emerson-pianoteq/</link><pubDate>Thu, 26 Mar 2026 00:00:00 +0000</pubDate><author>Luca Cipressi</author><guid>https://lucaji.github.io/music-inferno-keith-emerson-pianoteq/</guid><description><![CDATA[<p>Diving into the haunting, chaotic world of Dario Argento’s <strong>Inferno</strong> means entering a very peculiar corner of Italian horror cinema: dream logic, alchemy, saturated colours, impossible architecture, and music that seems to open a trapdoor beneath the floor.</p>
<p>The film, released in 1980, is the second chapter in Argento’s <strong>Three Mothers</strong> trilogy, following <em>Suspiria</em>. Where <em>Suspiria</em> is inseparable from Goblin’s legendary score, <em>Inferno</em> takes a different musical path: its soundtrack was composed and performed by <strong>Keith Emerson</strong>, the keyboard giant of Emerson, Lake &amp; Palmer. The result is less rock-band ritual and more feverish symphonic nightmare — piano, organ, orchestral drama, progressive-rock tension, and that unmistakable Emerson sense of danger.</p>]]></description></item><item><title>La Magia e la Storia dei Luoghi Siamo Noi</title><link>https://lucaji.github.io/photoproject-la-magia-storia-luoghi-live-spazio-matta/</link><pubDate>Thu, 23 Jan 2025 00:00:00 +0000</pubDate><author>Luca Cipressi</author><guid>https://lucaji.github.io/photoproject-la-magia-storia-luoghi-live-spazio-matta/</guid><description><![CDATA[<div class="featured-image">
                <img src="/la-magia-e-la-storia-dei-luoghi-siamo-noi-spaziomatta-live-title.jpg" referrerpolicy="no-referrer">
            </div><p><strong>La Magia e la Storia dei Luoghi Siamo Noi</strong> was a live encounter between photography, theatre, music and dance: not simply a projection of images, but a collective performance in which every photograph became a story, every text became voice, every sound opened an emotional space, and every gesture transformed vision into stage presence.</p>
<p>The event took place on Saturday <strong>25 January 2025</strong> inside the performance space of <a href="https://www.spaziomatta.it/2025/01/la-magia-dei-luoghi-la-storia-siamo-noi/" target="_blank" rel="noopener noreffer ">SPAZIO MATTA</a> in Pescara, curated and organised by <a href="https://www.facebook.com/fotografiapinogiannini/posts/pfbid0qU6d8F3CWJ1xFiHxjg2E589JXcLmSM78pTg3DEcAzsHRu664AycqtK8TaxaNJ5PEl" target="_blank" rel="noopener noreffer ">Fotografia Pino Giannini</a>. The project brought together a group of photographers and authors around a series of short visual narratives: individual photographic thoughts, yet conceived as part of a shared team effort.</p>]]></description></item><item><title>DURACINQUEMINUTI — The Metasymposium</title><link>https://lucaji.github.io/video-duracinqueminuti-metasymposium/</link><pubDate>Sat, 01 Sep 2012 00:00:00 +0000</pubDate><author>Luca Cipressi</author><guid>https://lucaji.github.io/video-duracinqueminuti-metasymposium/</guid><description><![CDATA[<p>Many years ago, a small constellation of artists, musicians, wanderers, friends, and temporary inhabitants gathered for a stone-carving <strong>metasymposium</strong> in the hills of <strong>Collecorvino</strong>, in the province of Pescara. The place was known among us as <strong>Crowin’ Hill</strong>: a rural house, half commune and half creative shelter, set in that inland Abruzzese landscape where olive trees, dusty roads, improvised tools, and unfinished conversations could all belong to the same afternoon.</p>]]></description></item><item><title>Rock in Progress 2002: Osanna, Goblin and PFM Live in Chieti</title><link>https://lucaji.github.io/video-rock-in-progress-2002-chieti/</link><pubDate>Sat, 19 Oct 2002 00:00:00 +0000</pubDate><author>Luca Cipressi</author><guid>https://lucaji.github.io/video-rock-in-progress-2002-chieti/</guid><description><![CDATA[<p><strong>Rock in Progress 2002</strong> was an important progressive rock festival held on <strong>October 19, 2002</strong>, at <strong>PalaTricalle in Chieti</strong>.</p>
<p>The line-up featured:</p>
<ul>
<li><strong>Osanna</strong></li>
<li><strong>Goblin / Daemonia</strong></li>
<li><strong>Premiata Forneria Marconi</strong></li>
</ul>
<p>The event brought together three central names in the history of Italian progressive rock: the Mediterranean theatricality of Osanna, the cinematic atmospheres of Goblin through Claudio Simonetti&rsquo;s Daemonia project, and the international dimension of Premiata Forneria Marconi.</p>
<h2 id="osanna">Osanna</h2>
<p><strong>Osanna</strong> are one of the most representative bands in Italian progressive rock. Formed in Naples in the early 1970s, they quickly stood out for a musical language that combined rock, jazz, Mediterranean folk influences and a strong theatrical component.</p>]]></description></item></channel></rss>